Behind the Scenes of "Zuckerberg vs Musk: Cage Fight"

Read Time:23 Minute, 59 Second

Interview with Alan Nafzger

In the back of the Scenes of “Zuckerberg vs Musk: Cage Battle“

Via Katy Room

Katy Room: Alan, thanks for sitting down with me nowadays to discuss your riveting script, “Zuckerberg vs Musk: Cage Battle.” Your screenplay has captured the imaginations of many. Let’s delve into some key scenes.

Scene 1: The Fallout and the Apocalyptic Overtones

Katy Room: Scene 1 is about in Minute Maid Park, and it is an emotionally charged second between Musk and Zuckerberg. Each characters transfer between panic, desperation, and humor. What impressed you to juxtapose those intense feelings in one of these claustrophobic environment?

Alan Nafzger: The cage combat is the epitome of bodily battle, however what occurs when those robust personalities are confined by way of instances? I sought after to discover the vulnerability and desperation they may really feel, offset by way of humor, to lead them to extra human and relatable.

Comedy Club Barbie Sequel — Barbie Sequel

VOTE FOR BARBIE!

🗳️ Get ready to shape Barbie's next adventure! Visit The Barbie Sequel Voting Site and cast your vote on the next Barbie script. Your voice matters in deciding the storyline for the iconic doll's sequel. Join the fun and help create the magic! Vote now at barbiesequel.com. Make Barbie's next Comedy Club journey unforgettable! 🎉

FREE BARBIE DOWNLOAD!

🚀 Join Barbie on an intergalactic adventure in "Barbie 2: Mars Mission" by Alan Nafzger! Explore the Red Planet and discover new horizons with our iconic doll. Download the thrilling story now at DOWNLOAD and embark on a cosmic journey! 🌌

The Function of Era and Human Connection

Katy Room: The characters make pressing calls to their households. What are you seeking to put across right here in regards to the courting between era and human connections?

Alan Nafzger: Regardless of being pioneers in era, each are reliant at the maximum basic type of conversation—a choice to their family members. It is a second that presentations that regardless of how complex we transform, our fundamental human wishes stay the similar.

Scene 2 & 3: Administrative center Dynamics and Twittersphere

Katy Room: Scene 2 and three are set in Musk and Zuckerberg’s respective workplaces. How did you make a decision what components to incorporate within the background to represent their distinct focuses?

Alan Nafzger: Musk’s center of attention on house and innovation is starkly contrasted by way of Zuckerberg’s earth-centric method. I assumed the delicate administrative center decor would offer an additional layer of intensity to those characters, making their variations extra obvious.

The Twitter Battleground

Katy Room: Twitter performs a the most important function right here. Why did you select this platform as their battleground?

Alan Nafzger: Twitter has transform this modern day area the place titans conflict, now not with swords, however with phrases. I assumed it will be the best degree for 2 influential figures to interact in a struggle of wits and philosophies.

Scene 4 & 5: The Disagreement and Administrative center Debate

Katy Room: Scene 4 options Musk in his Tesla, obviously agitated. How does this scene advance the continuing discussion about privateness and knowledge assortment?

Alan Nafzger: Musk is regularly observed as this calm, rational determine. I sought after to exhibit a second of vulnerability, the place his personal era paradoxically provides to his pressure. It is usually a possibility to carry up problems about privateness, appearing that even those that make the era don’t seem to be proof against its pitfalls.

The Significance of Empathy

Katy Room: Scene 5 presentations a fascinating debate amongst Fb workers. How does this upload to Zuckerberg’s narrative concerning the significance of empathy and human connection?

Alan Nafzger: The controversy amongst Fb workers is a microcosm of the bigger dialog taking place between Zuckerberg and Musk. It reiterates Zuckerberg’s philosophy—bridges are about connecting other folks, identical to social media.

Katy Room: Alan, your script tackles some intense topics whilst keeping up a humorousness and humanity. Thanks for sharing your insights with us nowadays.

Alan Nafzger: Thanks for having me, Katy. It used to be a excitement to delve into the intricacies of the script with you.

Katy Room: And that wraps up our behind-the-scenes have a look at “Zuckerberg vs Musk: Cage Battle.” From the cage to the cosmos, this screenplay gives a compelling exploration of era, humanity, and the non-public battles of 2 of nowadays’s maximum enigmatic figures. Keep tuned for extra.

Scene 6 & 7: The Thumb Conflict and Bedside Twitter

Katy Room: Scene 6 brings in levity with a thumb struggle, contrasting with the depth of a Twitter duel in Scene 7. How do you suppose this humor provides to the storytelling?

Alan Nafzger: Humor is a useful gizmo for dropping gentle at the human facet of those larger-than-life characters. It makes them relatable, appearing that in spite of their monumental affect, they’re simply other folks navigating via a chain of demanding situations and feelings like any individual else.

Scene 8: Colbert’s Display and the Bet

Katy Room: The guess proposed on Stephen Colbert’s display provides an additional layer of suspense. How did you get a hold of one of these distinctive wager, particularly the funny twist about proudly owning MySpace?

Alan Nafzger: I sought after to focus on the stakes whilst including a comedic layer. The guess amplifies the stress, and the MySpace funny story serves as a reminder of ways brief good fortune within the tech international can also be.

Scene 9 & 10: Up the Ante

Katy Room: Scene 9 and 10 introduce extra at stake, together with controlling the opposite’s Twitter. Is that this a nod to the large affect those platforms have over the narrative?

Alan Nafzger: Precisely. It’s a dramatized solution to underline how a lot energy is living in those platforms, and the way even those titans of tech don’t seem to be past being influenced or probably compromised by way of them.

Scene 11 & 12: Agreeing Phrases and Public Debate

Katy Room: Scene 11 and 12 get us to a public discussion board, a press convention the place each Zuckerberg and Musk agree on phrases. How do you depict their contention changing into mutual appreciate?

Alan Nafzger: Thru their banter and negotiations, they start to see each and every different now not simply as adversaries however as equals. There’s a way of appreciate for each and every different’s mind and for the sport itself, which units the degree for a captivating showdown.

Scene 13 & 14: The Grand Debate and Social Media Frenzy

Katy Room: The controversy in Scene 13 reasons a real-life meals combat in a Google cafeteria in Scene 14. Is that this a remark on how deeply those debates penetrate into our day-to-day lives?

Alan Nafzger: Completely. This hyperbolic depiction serves to emphasise how divided now we have transform as a society, regularly because of the agendas and narratives driven by way of influential figures and platforms.

Scene 15: The Ultimate Disagreement

Katy Room: The screenplay involves a head with Musk studying concerning the debate on-line and issuing a bodily disagreement. What led you to this explosive climax?

Alan Nafzger: The virtual realm can most effective comprise such a lot stress ahead of it spills over into the genuine international. The bodily disagreement is without equal embodiment in their contrasting philosophies and ambitions. It’s the overall frontier for his or her struggle.

Scene 16 & 17: Input Dana White

Katy Room: UFC president Dana White enters the image in those scenes. Let us know about his involvement and the way he is helping escalate the stress.

Alan Nafzger: Dana White serves because the catalyst to transform this virtual sparring right into a bodily cage fit. His presence provides legitimacy to the combat, and his comedic remarks upload a lighter tone.

Scene 18 & 19: Media Frenzy and Digital Press Convention

Katy Room: After Dana White concurs to the combat, the media is going wild. How essential used to be this press protection to the script?

Alan Nafzger: The media protection amplifies the stakes and captures public hobby. It is usually a nod to the real-world energy that media holds in shaping our views.

Scene 20: The Philanthropic Perspective

Katy Room: Each Musk and Zuckerberg pledge $100 million to charities in the event that they win. What caused this inclusion?

Alan Nafzger: It provides some other layer of complexity to the combat, making sure it is not simply an ego conflict but in addition a struggle with considerable societal affects.

Scene 21 to twenty-five: Public Response

Katy Room: The script now is going into public areas—bars, dorms, and so on. Why did you’re feeling it used to be important to incorporate those numerous places?

Alan Nafzger: Those scenes emphasize how pervasive the development has transform. Whether or not you might be at a bar or a dorm, persons are speaking about it. The assorted places spotlight the script’s common attraction.

Scene 26: The Involved Aged

Katy Room: An aged couple discussing the development introduces a fascinating viewpoint.

Alan Nafzger: They constitute a demographic much less engaged in tech however nonetheless suffering from its broader penalties. The grandmother’s worry provides a slightly of humanity to the spectacle.

Scene 27 & 28: Comedic Takes

Katy Room: YouTubers and comedians like John Oliver upload humor to the combo. Is humor a key part for you?

Alan Nafzger: Humor acts as a social remark, slicing throughout the stress and serving to us replicate at the tournament’s absurdity.

Scene 29 & 30: Coaching Montages

Katy Room: Charles Barkley discusses the educational regimes of Zuckerberg and Musk. What used to be the concept at the back of those elaborate coaching montages?

Alan Nafzger: Coaching montages are a staple in any combat movie. It is the place we see the characters’ vulnerabilities and their dedication, including intensity to their personas.

Scene 31 & 32: The Ultimate Countdown

Katy Room: The script closes with a have a look at how the educational is being won by way of the general public. How did you envision finishing the script?

Alan Nafzger: It’s a nod to the ability of public opinion. It underscores that past the combat, it is a struggle for the narrative. And so, the general public’s response acts as a last pass judgement on ahead of without equal showdown.

Scene 33 & 34: International Anticipation and Fan Reviews

Katy Room: The worldwide anticipation builds up in those scenes, particularly with fanatics heatedly arguing in sports activities bars. Alan, how do you notice this world hobby taking part in out within the narrative?

Alan Nafzger: The scenes serve to underline simply how international this tournament has transform. From on a regular basis fanatics in sports activities bars to world sports activities protection, the combat isn’t just an American phenomenon however a world sensation.

Scene 35 to 37: The Social Media Conflict

Katy Room: Each Musk and Zuckerberg take to social media, but their approaches fluctuate. May just you elaborate on that?

Alan Nafzger: Completely. Musk is more uncomplicated, emphasizing the charitable perspective. Zuckerberg, however, mocks Musk’s selection of platform, which presentations their contrasting kinds, now not simply in trade however in existence.

Scene 38 & 39: Coaching and Viral Hypothesis

Katy Room: We go back to coaching scenes and likewise see social media analysts speculating on sequels. Are sequels one thing you’ve regarded as?

Alan Nafzger: The social media hypothesis is extra of a nod to how viral phenomena like this can result in more than a few spin-offs or sequels. So, sure, it is one thing at the desk however now not outlined but.

Scene 40 to 42: Broadening the Horizon

Katy Room: Those scenes incorporate discussions from newsrooms to the Italian Tradition Minister’s administrative center. How essential used to be it to incorporate those numerous views?

Alan Nafzger: Those are intentional inclusions to turn the combat’s far-reaching implications, from information protection to cultural or even world discussions.

Scene 43 & 44: The Famous person Lens

Katy Room: Conor McGregor, Jeff Goldblum, and Invoice Murray seem. What do those famous person interactions carry to the tale?

Alan Nafzger: They bring about levity and cultural forex. McGregor’s promotional talents carry the combat’s profile, whilst Goldblum and Murray supply a comical and philosophical take, making the storyline even richer.

Scene 45 & 46: The Political and Moral Angles

Katy Room: We cross as top because the Oval Administrative center, discussing criminal and moral facets. Is that this a remark at the scale of affect tech moguls dangle?

Alan Nafzger: Exactly. It’s a remark on how deeply ingrained those tech figures are in our society that their movements warrant dialogue on the best ranges of presidency.

Scene 47 to 49: The What-Ifs and Marketplace Implications

Katy Room: From Italian regrets to Wall Side road debates and political calculations, you discover the development’s affect on more than a few sectors. What is your take in this?

Alan Nafzger: The varied scenes intensify how the combat isn’t only a one-off tournament however a catalyst for discussions in tradition, politics, and economics.

Scene 50 & 51: The Houston Issue

Katy Room: Houston turns into the selected location for the combat. What does this upload to the script?

Alan Nafzger: Houston represents a mix of American custom and long run aspirations, similar to our two protagonists. The positioning thus turns into a personality in itself.

Scene 52: The Ultimate Countdown

Katy Room: Meryl Streep and Colin Fletcher analyze leaked coaching pictures within the ultimate scene. A novel solution to finish issues?

Alan Nafzger: It’s a nod to the eclectic nature of this complete saga. Who higher to investigate a tech multi-millionaire combat than a mythical actress and an MMA knowledgeable?

For sure, Katy. My apologies for the oversight.

Interview with Alan Nafzger on Key Scenes 53-66 of “Zuckerberg vs. Musk: Cagefight“

Interviewer, Katy Room: Alan, on your screenplay, the phenomenon of this Zuckerberg-Musk cage combat turns out to move world limitations, even appearing up in a anxious scene on the North and South Korean DMZ. What impressed you to make this a global spectacle?

Alan Nafzger: The combat between those two titans is not simply an American hobby tale. Those males constitute world enterprises and their contention speaks to larger questions on energy and era that everybody all over the world grapples with.

Having a bet and the American Psyche

Interviewer, Katy Room: Vegas sportsbooks are humming within the scenes you’ve gotten written. How do you notice this cage combat reflecting or impacting the tradition of sports activities having a bet in The united states?

Alan Nafzger: I sought after to seize the spirit of American entrepreneurship and risk-taking. If you have two huge personalities duking it out, you’ll be able to wager American citizens will need a stake within the consequence, fairly actually.

Scientific Ethics and Dramedy

Interviewer, Katy Room: A good period of time is spent on clinical examinations for Musk and Zuckerberg, even bringing humor into those scenes. What is the message you might be seeking to put across right here?

Alan Nafzger: Those don’t seem to be athletes; they are tech moguls. So, there is a layer of absurdity in them present process clinical checks as though they are getting into the UFC octagon. But, it is severe—clinical ethics should not be lost sight of simply since the combat is a spectacle.

The Function of Media and Conspiracy Theories

Interviewer, Katy Room: From tabloid newsrooms to YouTube conspiracy theorists, you’ve gotten portrayed more than a few sorts of media amplifying the combat’s hype. What are you pronouncing concerning the function of media in such occasions?

Alan Nafzger: We are living in an age the place media generally is a circus reflect, each reflecting and distorting truth. Whether or not it is a tabloid or a YouTuber like Gary, everybody has an perspective, and the combat turns into a vessel for more than a few narratives.

Nearing the Battle: Arrangements and Issues

Interviewer, Katy Room: The scenes main as much as the combat are stuffed with stress and considerations, each non-public {and professional}, for Zuckerberg and Musk. Why did you select to concentrate on those facets?

Alan Nafzger: Neatly, I sought after to turn that they are human beings. They have got considerations, households, companies to run. This combat is a spectacle, however it is also a significant existence tournament for either one of them.

Ultimate-Minute Laws and Crew Dynamics

Interviewer, Katy Room: Alan, Scene 67 portrays a heated dialogue between Zuckerberg and Sheryl Sandberg a few last-minute rule trade. Why did you select to incorporate this interior struggle?

Alan Nafzger: In a environment as unstable as a cage combat, a last-minute rule trade generally is a game-changer. The conflict between Zuckerberg and Sandberg provides intensity to their characters and presentations that even a close-knit crew could have cracks when top stakes are concerned.

Tensions, Safety, and the Spectacle of the Weigh-In

Interviewer, Katy Room: The weigh-in scenes are fraught with stress and elaborate safety features. What message are you seeking to put across right here?

Alan Nafzger: Safety is not just about bodily protection; it is a manifestation of the drive and world hobby within the combat. The weigh-in, in most cases a formality in carrying occasions, turns into a degree the place each males should confront their bodily and mental readiness for the combat.

Emotionally Charged Moments Earlier than the Battle

Interviewer, Katy Room: You could have written scenes the place each Zuckerberg and Musk have non-public moments to think about the combat’s importance. Why come with those softer, extra emotional scenes?

Alan Nafzger: Those males don’t seem to be simply CEOs; they’re human beings with lives out of doors of the hoop. I sought after to exhibit that stress between their public personas and personal anxieties, whether or not it is Zuckerberg seeking to meditate or Musk considering his SpaceX goals.

Societal Divides and Protests: A Replicate to Fact

Interviewer, Katy Room: Scenes 72 via 84 exhibit a global past the combat, relating protests and societal divides. Why did you suppose it used to be crucial to function this?

Alan Nafzger: The combat itself is a microcosm of bigger societal problems—capitalism, affect, ethics, even world peace. The protesters and more than a few teams replicate the divided evaluations and the prospective penalties of constructing a spectacle out of such severe problems.

The Level of No Go back: Chaos Unleashed

Interviewer, Katy Room: The latter scenes point out some extent of no go back, resulting in a blackout and escalating violence. Why finish this section on one of these darkish word?

Alan Nafzger: I sought after to construct a crescendo that mimics the mounting stress in society nowadays. The blackout symbolizes the purpose the place issues can both to find solution or erupt into chaos, and it leaves the reader—or viewer—wondering the place we are headed as a society.

Order Out of Chaos: The Aftermath

Interviewer, Katy Room: Alan, Scene 85 presentations the aftermath of the chaos. Police and emergency responders are at the scene, and newshounds are reporting. Is that this a second of reckoning for the group?

Alan Nafzger: Completely. The aftermath serves as a pause button for everybody to replicate at the movements and penalties. It is a stark reminder that the development has spiraled into one thing a lot larger than only a combat between two tech moguls.

Media’s Function within the Mayhem

Interviewer, Katy Room: Anthony and Taisha within the press field speak about how the media could have exacerbated the placement. How do you notice the function of the media right here?

Alan Nafzger: The media’s function is dual-edged. On one hand, they are reporting the details; at the different, the best way they body those occasions can fan the flames. Anthony and Taisha are conscious about this subtle steadiness, main them to query their very own affect at the unfolding chaos.

Public Pleas for Calm

Interviewer, Katy Room: Each Musk and Zuckerberg factor public pleas for calm. How efficient are those within the context of your screenplay?

Alan Nafzger: I feel they seize the essence of each males completely. Zuckerberg is buoyant and charismatic, whilst Musk is stern and intense. Their appeals now not most effective distinction their personalities but in addition display that they perceive the gravity of the placement. Their mixed message, apparently, does appear to quell the chaos.

Making ready for the Showdown

Interviewer, Katy Room: The following scenes display each and every guy in his component—Zuckerberg together with his Fb moderators and Musk with robot coaches. Why depict those scenes?

Alan Nafzger: The locker room scenes are the calm ahead of the typhoon. They are meant for example the variations between the 2 males—now not simply their control kinds but in addition their philosophies and the way they get ready for a struggle of this magnitude.

A Non permanent Ceasefire: Anticipation Replaces Violence

Interviewer, Katy Room: Simply as briefly because the violence erupted, it quells. What does this unexpected shift symbolize?

Alan Nafzger: It presentations the ability of a collective center of attention. Regardless of their variations, persons are united of their anticipation of the combat, underscoring how simply public consideration can also be redirected, for higher or worse.

The Grand Entrances: Showcasing Philosophies

Interviewer, Katy Room: The entrances of Musk and Zuckerberg are grand spectacles. How did you make a decision at the tune and visuals?

Alan Nafzger: The entrances are extensions in their personalities and missions. Zuckerberg’s theme, U2’s “One,” indicates harmony and connection, which might be on the core of Fb’s project. Musk’s selection of “House Oddity” highlights his ambitions past Earth. Those entrances serve to encapsulate who those males are and what they stand for.

The Famous person Part: Ringside with Jesse Eisenberg and Ronda Rousey

Interviewer, Katy Room: Scene 100 introduces famous person newshounds. What do they upload to the narrative?

Alan Nafzger: Jesse Eisenberg and Ronda Rousey carry a unique viewpoint to the development. Eisenberg has portrayed Zuckerberg on display, whilst Rousey understands the dynamics of a bodily combat. Their banter provides a component of each humor and experience, rounding out the multifaceted viewpoints in this unparalleled tournament.

Each and every scene you’ve gotten requested about provides layers of complexity to the narrative, making the combat greater than only a bodily contest—it is a battleground for ideologies, social problems, and private philosophies.

I say sorry for the confusion. Let’s pivot again to an interview layout.

Alan Nafzger at the Cinematic Transition from Cage Battle to Zombie Apocalypse

SCENE 101 to 103: The Construct-up

Katy Room: Alan, the screenplay in reality choices up from SCENE 101 the place Invoice Gates, of all other folks, is the hoop announcer. What used to be the concept procedure at the back of such an strange selection?

Alan Nafzger: Neatly, the combat scenes have been designed to be extra than simply two tech titans duking it out. We needed so as to add layers of intrigue and marvel. Having Invoice Gates as the hoop announcer throws in a component of irony and unpredictability.

SCENE 104: The Vital Spherical

Katy Room: Scene 104 portrays now not only a bodily contest however a conflict of ideologies. How did you steadiness this intricate narrative?

Alan Nafzger: Scene 104 is the most important. It’s now not as regards to fists and grapples; it’s additionally a reflect to society’s divisions. The coaches and the commentators replicate those undercurrents, making it a multi-dimensional enjoy for the target market.

SCENE 105: Zombie Apocalypse Unleashed

Katy Room: Simply once we suppose it’s all a few cage combat, you throw in a zombie apocalypse! That is a gutsy transfer. What impressed this shift in tone?

Alan Nafzger: Ah, the zombie twist. We needed so as to add an exterior risk that might power those adversaries to rethink their enmity. What higher means than a commonplace enemy that wishes to devour them?

SCENE 106 and 107: Survival Mode

Katy Room: In opposition to the tip, Musk and Zuckerberg transition from being competition to survivors. May just you speak about this dynamic trade?

Alan Nafzger: Completely. To start with, they are at loggerheads, even preventing over a pistol. However survival intuition kicks in, and so they notice that the genuine enemy is out of doors the cage. This shift used to be the most important to turn persona enlargement and the bigger theme of harmony in opposition to a commonplace adversary.

Katy Room: Your screenplay combines components of sports activities drama, horror, and political undertones in an atypical environment. How did you arrange to mix those genres so seamlessly?

Alan Nafzger: It is about discovering a commonplace thread. On this case, it is the concept of festival — be it for social affect, bodily supremacy, or survival. The genres would possibly appear disparate, however they arrive in combination via this core thought.

Katy Room: One cannot assist however suppose this can be a billion-dollar concept, as Dana White discussed. Do you suppose the movie lives as much as that expectation?

Alan Nafzger: Neatly, I feel Dana White’s remark captures the essence of what we are seeking to do. We are pushing limitations right here. It’s now not only a combat; it’s a spectacle, a societal mirrored image, and now, a survival saga. If that isn’t value one billion greenbacks, I don’t know what’s.

The Ultimate Act: A Rollercoaster of Feelings and Technique

SCENE 108: A Breather Amidst the Chaos

Katy Room: Scene 108 is a pause for the target market in addition to the characters, with McGregor making a fog for defense and Zuckerberg appearing off his marksman talents. Why come with a concession stand scene right here?

Alan Nafzger: The concession stand scene serves as a short lived respite, permitting characters to regroup and exhibit particular person talents. It is like the attention of the typhoon, momentarily calm but surrounded by way of the tempest.

SCENE 109 to 110: Stairwell and Provider Hall

Katy Room: Your script takes a fascinating flip with retired MMA combatants sacrificing themselves. Why this choice?

Alan Nafzger: It is a tribute to the ethos of MMA—valor, sacrifice, and teamwork. It additionally builds stress; if those professional combatants are keen to offer their lives, the risk should be serious.

SCENE 111 to 114: At the Cusp of Protection

Katy Room: Musk and Zuckerberg lock themselves within the locker room. How does this isolation give a contribution to the unfolding drama?

Alan Nafzger: The isolation magnifies their vulnerability. They have misplaced their bodyguards, and now it is simply them, reinforcing the perception that they are able to most effective depend on each and every different in spite of their variations.

SCENE 115 to 117: McGregor’s Ultimate Stand

Katy Room: The Tennyson reference right through McGregor’s combat—what caused that literary contact?

Alan Nafzger: McGregor is embodying heroism, similar to Tennyson’s characters. It is a poetic nod to the gravity and possible futility of his combat.

SCENE 118: The Atomic Watermelon

Katy Room: An “atomic watermelon” makes an look. How life like is that this on the earth you’ve gotten created?

Alan Nafzger: It’s kind of of a hyperbole however grounded in factual army era. It serves as a ticking clock, including urgency to the get away makes an attempt.

SCENE 119 to 121: Ultimate Confrontations

Katy Room: There’s a shift in surroundings as we see the devastation of the zombie assault is entire. May just you elaborate at the emotional pivot right here?

Alan Nafzger: After the action-packed sequences, those scenes pull the lens again to the characters’ emotional states. It’s the aftermath, reflecting the horror and disbelief of what simply transpired.

SCENE 122: The Unresolved Finishing

Katy Room: The screenplay ends on an open word. Is that this a setup for a sequel?

Alan Nafzger: It leaves room for interpretation and long run storytelling. The contention between Musk and Zuckerberg stays, and the sector continues to be unsure, making it an open-ended conclusion.

Katy Room: Regardless of the horrors, there’s banter between Musk and Zuckerberg. What does this say about their characters?

Alan Nafzger: It’s a nod to the indomitable human spirit and a peek into their advanced courting—aggressive but respectful. Even after preventing zombies, some issues by no means trade.

Katy Room: Thanks, Alan, for this enlightening dialog about your screenplay, which has intrigued each the trade and the target market. It’s an atypical mixture of motion, humor, and deeper topics. Really a billion-dollar concept.

Alan Nafzger: Thanks, Katy. It is been a excitement discussing the nuances of what may well be my maximum audacious paintings but. I will be able to most effective hope the target market reveals it as enticing as this dialog.